Brian S. Gut Hook Hunter - Backpack worthy.
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Final blade - keep scrolling to see the journey.
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At the beginning of 2024 I got a request from another friend for a gut hook hunter, but something that was light and easy to carry on backpacking trips.
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Decided to use some marbled carbon fiber to make segmented handle scales.
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White G-10 liners to break up the darkness of the scales.
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Slanty segments are always a little tricky.
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Scales and blade with rough layout lines.
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In order to reduce weight I decided to taper the tang and reduce the profile a little.
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Tapered tang showing a little better here.
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Scales rough profiled.
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Getting the shape and contouring refined.
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Glamour shot #1.
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Spine glamour shot.
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Shiny finished blade.
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Simple sheath, but wanted the blue threads to match the handle.
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Finished glamour shot #2
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Finished glamour shot #3. Loved the feedback I got on this blade - he skinned a whole black bear and it stayed sharp. I was quite pleased to hear it!
80Crv2 - Fighter
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Final blade - keep scrolling to see the journey.
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I wanted another example knife for myself and so I decided to make this fighter style for my personal collection.
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Shaping the guard from mild steel. I also decided to use that original piece of Timascus I left behind years ago.
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Line up pins to make sure everything fits up correctly.
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Rough fit up.
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Rough fit up with the Timascus spacer.
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Another angle on the spacer.
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More handle shaping.
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Glue ups don't change too much.
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Finished blade.
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Finished handle.
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Finished glamour shot #1.
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Finished glamour shot #2.
Eva H. - Glow in the Dark Heart Tanto
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Final blade - keep scrolling to see the journey.
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Back to the family friend who asked me to make blades for his kids. It was time to make a knife for his daughter. She liked the glow in the dark that I did for her brother and wanted a tanto tip as well. My challenge to make this knife fit a young girl, but still be awesome. I think I did it.
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This blade came from that original "portfolio" batch that I had heat treated a while back.
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I had found these one of a kind scales that I was a little sad to let go, but definitely fit what I was looking for.
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Layout lines on their way!
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In order to make it just that much more special and awesome, I designed some custom scroll work to engrave on the sides of the blade. I ended up changing it a little, but still the same theme.
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Also - it we're going glow in the dark. Let's do pink!
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Cute and deadly.
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All the parts laid out.
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Of course had to have the perfect combination with these custom scales.
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Truing up the scales prior to attaching. I didn't true them up in the dark, but thought it'd make a cool photo.
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All ready to be attached.
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I wanted to make sure the custom scroll work was deep enough, so I coated the blade in nail polish and burned off the outline with my laser, then acid etched the blade.
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Turned out great!
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The other side.
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Some pre-glue up handle shaping.
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Yep, you guessed it - glue up!
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Some post glue-up contouring.
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Had to make a sheath that fit the theme of this blade. Blue was the only way.
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Back of the sheath.
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Finished blade in the sheath.
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Finished sheath outside.
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Glamour shot #1.
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Glamour shot #2.
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Spine final shot.
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Glamour shot #3.
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Handle glow indoors.
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Handle glow #2.
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Finished glamour shot #4.
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Finished glamour shot #5.
Seth H. Jr. - Twist Damascus Dagger
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Final blade - keep scrolling to see the journey.
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The next blade was for the same family and the youngest son wanted a twist damascus dagger. I wanted to up my twist damascus game so I made a special batch.
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Getting it hot in my own forge. I had gotten a forge press in the interim and was excited to put it to good use.
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Rough bar drawn out - straight layers as I had something extra planned for it.
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A little uneven, but ready for restack.
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Getting all the pieces cleaned up and ready for the next step.
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I decided to add in layers of 15n20 to add bright lines throughout. It really paid off.
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In order to reduce the chance for bad welds, I welded all the way around to prevent oxygen between the layers.
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Forge welded again.
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Decided to clean off the mild steel welds and get rid of any cold shuts. 4lbs. 10oz billet.
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Twisting up the billet after drawing it out.
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Twisting both sides.
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Final billet is tiny compared to the original.
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Here's the forge scale compared to the billet.
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Scale still stuck in the twist lines. I made some mistakes on forging this, but was able to salvage it in the end.
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Ending billet of useable material. 2 lbs 14 oz - Nearly a 40% loss of material just in that few processes. Again - this is why damascus is expensive.
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Laying out the blade.
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Rough profile and sneak peak on the pattern.
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Dagger grind done.
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Cleaned up and refined a little more.
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For this dagger I decided to cast a copper guard. Here I'm using a chunk of hard wax to do the initial shaping.
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Rough shaped guard and layout lines.
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Guard in shape, now to make it metal.
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I'd never cash something like this so I went to my friend Patrick's house who has all the set up and experience to do it.
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Casting the guard.
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In the mold.
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Coming out of the casting sand.
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Here's the rough cast guard with the sprue cut off.
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The guard fought me and I quickly learned that copper is a hard metal to work with. Bit into it with my mill when it slipped in the vice.
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It gets sticky when hot and I broke drill bits off in it.
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I finally got it roughly in shape and did a rough fit up of the handle and pommel.
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Guard roughly shaped.
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A good look at the whole dagger roughly put together.
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Pommel held on with a corby bolt.
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Due to the rough beat up cast guard, I decided to remake it from a piece of copper bar stock.
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New guard fit up.
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Decided to do an aged copper look on the guard and pommel. Time age it a little.
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Fitting aged and assembled.
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Hand sanded and ready to etch.
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Just out of the acid.
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Cleaned up between acid and coffee etch.
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Into the coffee for darkening.
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Post coffee etch.
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Final fit up.
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Outside in natural lighting.
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In order match the green handle, I decided to use this cook iguana skin in the sheath.
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Gluing the iguana skin to the base leather.
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Sheath with windows, just needed a strap to keep the dagger in place.
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Custom strap with a little pop of color.
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Glamour shot #1.
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Glamour shot #2.
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Glamour shot #3.
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Glamour shot #4.
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In hand.
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View from the pommel.
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In sheath.
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Glamour shot #5.
Battleship Texas Donation Kitchen Set
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Final blade - keep scrolling to see the journey.
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In 2023 I had the special priveldge of being invited to a group of about 150 makers who would receive metal from the Historic USS Texas. The Texas was being restored in Galveston, TX and would become a museum ship. All items made would be auctioned off and all proceeds go to the continued restoration of the ship.
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Photos from the ship in Galveston. The plates that have been removed are blister plates of mild steel that were used to pre-maturely detonate torpedos before they hit the hull.
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The Texas in dry dock. I received a piece of blister plate, some deck wood, and a few odds and ends.
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Historic photo of the USS Texas during a time of war.
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Another historic photo of the Texas during her combat service.
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The foundation that was leading the restoration efforts.
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The USS Texas fought in WW1 and WW2. Here's a map of Normandy and the USS Texas was there - some pretty cool stories about her combat service.
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Another photo of the Texas in dry dock.
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Since the blister plate was mild steel I had to add a core high-carbon knife steel. I decided to add layers of 15n20 and 1084 to make a go mai.
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Cleaning up the mild steel.
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Laying out the metals to make my favorite lolipops.
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Aren't they pretty!
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Into the forge for forge welding.
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Forge welding the billets together.
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Drawing the billets out to make them thinner.
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All in a days forging - two long billets and one thick for a later integral knife.
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Testing the billets with a quick etch to see the layers.
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I feel this is where I really defined my style of chef's knife. Here I made a chef's knife and a paring knife to go with to be sold as a set.
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Blades profiled.
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Test etch after some beveling on the grinder.
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Another test etch to make sure I was watching the position of the mild steel vs the knife steel.
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Hand sanding to make sure it's clean and a good final etch.
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A lot of other makers used the deck wood on the handle, but I decided to use this curly mango that looks like waves on the water to help differentiate my set.
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Of course added vulcanized paper and G-10 liners to help it all pop.
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Set up to made sure it all lined up.
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Handles profiled and mocked up for glue up.
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With through tang damascus, you basically have to finish the knife before final assembly. It's curious problem, so I basically dry pin everything in place.
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It looked like I killed a few smurfs in the making.
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Cleaned up after the first etch. Top layer is the mild ship steel, then 15n20 and the cutting edge is 1084.
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Glued up and starting to finish out the handles.
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Finished etch on the final blades.
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I love full tang damascus as you get this cool view from the spine of the knife.
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Glamour shot #1.
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Glamour shot #2. Proud to say this set sold right away when the online auction for $2,000. So happy to help contribute and that someone thought so highly of my work.